Tchiprout, Blindly faithful, following none, 2023, monotype on somerset paper, paper 68.4 x 52cm, 26 7-8 x 20 1-2in

Tchiprout, Flattery will get you some places, 2023, monotype, paper 26 3-4 x 20 1-2in, 68 x 52cm, 500683

Liorah Tchiprout,
Flattery will get you some places, 2023
monotype
paper: 26 3/4 x 20 1/2 in. / 68 x 52cm

Liorah

Liorah Tchiprout, A Carefree, Singing Girl Who Would Flit Like a Butterfly to You

Liorah Tchiprout, A Carefree Singing Girl Who Would Flit Like a Butterfly to You

monotype

A Carefree, Singing Girl Who Would Flit Like a Butterfly to You

Pasmore, Two Images (Blue), 1984, screenprint, edition of 70, 24 1-8 x 29 3-8 in., 61.4 x 74.7 cm

Pasmore,-Two-Images-(Blue),-1984,-screenprint,-edition-of-70,-24-1-8-x-29-3-8-in.,-61.4-x-74

Victor Pasmore
Two Images (Blue), 1984	
screenprint, edition of 70
paper: 24 1/8 x 29 3/8 in. / 61.4 x 74.7 cm
plate: 16 1/4 x 16 1/4 in. / 41.3 x 41.3 cm

printed by Kelpra Studio, London 
published by Marlborough Graphics, London 
cat. G29

Victor

Pasmore, Apollo 2, 1985, screenprint, edition of 70, 26 1-8 x 34 3-4 in., 66.4 x 88.4 cm

screenprint

Apollo 2

Liorah Tchiprout, I Admire Your Endeavour

I Admire Your Endeavour

Liorah Tchiprout, I almost Felt You Were Beside Me

Liorah Tchiprout, I Almost Felt You Were Beside Me

I Almost Felt You Were Beside Me

Liorah Tchiprout, I Planned to Feed It With a Heart

aquatint

etching

I Planned to Feed It With a Heart

Liorah Tchiprout, I Wake With You, I Tell No One

I Wake With You, I Tell No One

Liorah Tchiprout, I'm So Afraid You'll Be Carried Away by the Tide

I'm So Afraid You'll Be Carried Away by the Tide

Frank Auerbach, Ruth, 1994, etching and aquatint on Somerset white paper, edition of 30, 15 x 12 5-8 in., 38.1 x 32.1 cm

Frank-Auerbach,-Ruth,-1994,-etching-and-aquatint-on-Somerset-white-paper,-edition-of-30,-15-x-12-5-8-in.,-38.1-x-32

Frank Auerbach 
Ruth, 1994
etching and aquatint printed from two plates in black and grey on Somerset white paper, edition of 30
plate: 10 x 8 in. / 25.3 x 20.4 cm 
paper: 15 x 12 5/8 in. / 38.1 x 32.1 cm 

printed by Mark Balakjian and Dorothea Wight at Studio Prints, London
published by Marlborough Graphics

Frank

Six Etchings of Heads 1980-1981

Frank Auerbach, Joe Tilson, 1980, etching on Arches paper, edition of 50, 15 1-4 x 13 in., 39 x 33 cm

Joe Tilson

Paul,-Five-Sisters,-2011,-soft-ground-etching,-edition-of-15,-18-3-4-x-20-3-8-in.,-47.5-x-51

Celia Paul
Five Sisters, 2011
soft ground etching, edition of 15
paper: 18 3/4 x 20 3/8 in. / 47.5 x 51.6cm
plate: 10 1/2 x 13 1/4 in. / 26.7 x 33.6 cm

printed by Marc Balakjian and Dorothea Wight, Studio Prints, London 
published by Marlborough Graphics, London

Celia

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Paul, Linda Sleeping, 1992, soft ground etching, edition of 25, 12 1-4 x 10 1-8 in., 31.2 x 25.7cm

soft ground etching

Linda Sleeping

Lucian Freud

Paul, Mother and Frank, 1991, soft ground etching, edition of 25, 9 7-8 x 8 1-2 in., 25 x 21.5 cm

Mother and Frank

Post Office Tower

Auerbach, Reclining Nude, 1954, drypoint, 25 x 21 cm

drypoint

Reclining Nude

Ruth Bromberg was a regular weekly sitter for Frank Auerbach. The three-quarter-length plates of Ruth made in 1994 represented an expansion of the human form in Auerbach’s printmaking, not only in revealing the figure beyond the confines of a portrait head, but also in the breadth of its lines.price inclusive of tax and frame

etching and aquatint printed from two plates in black and grey on Somerset white paper

Ruth

Paul, Self-portrait with Canvas, 2003, soft ground etching, edition of 15, 12 x 11 1-2in., 30.6 x 29.2 cm

Self-Portrait  with Canvas

Seven Portraits 1989-1990

Auerbach, Seven Portraits, 1989-90,  etchings, edition of 50, 83 7-16 x 8 3-8 in., 212 x 21.5 cm

Seven Portraits

Frank Auerbach, Jake, 1990, etching on Somerset white paper, edition of 50, 10 1-8 x 8 3-8 in., 26 x 21.5 cm

Jake

“I’ve got certain attachments to people and places, it seems to me simply to be less worthwhile to record things I am less attracted to since I know about things that nobody else knows about.”– Frank Auerbach in conversation with Catherine Lampert in 1978. Shortly after organising Auerbach’s 1978 retrospective at the Hayward Gallery, Catherine Lampert was invited to sit for the artist, an invitation that since has led to a multitude of sitting’s spanning over a 30-year period. Despite the close friendship clearly represented by Auerbach’s numerous representations of Lampert, there is too another factor present. One of alienation spurred on by a remembrance of the post-war period, that marked Auerbach’s rise to prominence. This recurring theme is present in nearly all of Auerbach’s work and results in a strange tension where this intimate representation of friendship is clearly at battle with the remembrance of his difficult past. This encounter provides Auerbach’s images with both an unsettling yet entirely mesmerising power.

Frank Auerbach, Catherine, 1989, etching on Somerset white paper, edition of 50, 10 1-8 x 8 3-8 in., 26 x 21 cm

Catherine

Frank Auerbach, J.Y.M., 1989, etching on Somerset white paper, edition of 50, 10 1-8 x 8 3-8 in., 26 x 21.5 cm

J.Y.M.

Frank Auerbach, Michael, 1990, etching on Somerset white paper, edition of 50, 10 1-8 x 8 3-8 in., 26 x 21.5 cm

Michael

Frank Auerbach, Geoffrey, 1990, etching on Somerset white paper, edition of 50, 10 1-8 x 8 3-8 in., 26 x 21.5 cm

Geoffrey

Frank Auerbach, Julia, 1989, etching on Somerset white paper, edition of 50, 10 1-8 x 8 3-8 in., 26 x 21.5 cm

Julia

Frank Auerbach, David, 1989, etching on Somerset white paper, edition of 50, 10 1-8 x 8 3-8 in., 26 x 21.5 cm

David

Frank Auerbach, Sleep, 2001, etching on Saunders paper, edition of 35, 23 x 25.5 cm

Sleep

Liorah Tchiprout, The Pen Falls From Your Hand

The Pen Falls From Your Hand

Pasmore, Untitled 6, 1990, screenprint, edition of 70, 40 5-8 x 28 7-8 in., 103.2 x 73.2 cm

Untitled 6

Liorah Tchiprout, You Wouldn't Make Me Wait Without Reason

You Wouldn't Make Me Wait Without Reason

Marlborough
Graphics’ booth at the London Original Print Fair 2024 will juxtapose works
from the gallery's historic roster of artists with prints by established and
emerging contemporary artists new to the Marlborough programme. Coinciding with ‘Frank Auerbach: The Charcoal Heads’ at the Courtauld Gallery, Marlborough Graphics presents a selection of etchings by Frank Auerbach. Also on display will be a new body of work by Liorah Tchiprout,
following the success of her first solo show at the gallery, while Georg Wilson will produce new editions with Marlborough Graphics for the first time. Artists such as Gillian Ayres and Victor Pasmore will be in dialogue with Vanessa Da Silva, Jimmy Merris and Celia Paul, reflecting the breadth of Marlborough’s programming.

Ayres, Heligan I, woodcut on Japanese paper, 78 x 116cm, 30.625 x 45.625in, 500598

London

Gillian Ayres
Heligan I, 2011
woodcut on Japanese Unryshi 75 gsm, edition of 18
 30 3/4 x 45 5/8 in. /
78.0 x 116.0 cm

London Original Print Fair 2024

London

London Original Print Fair 2024

Liorah Tchiprout

A Carefree, Singing Girl Who Would Flit Like a Butterfly to You, 2024

Victor Pasmore

Apollo 2, 1985

Liorah Tchiprout

I Admire Your Endeavour, 2024

Liorah Tchiprout

I Almost Felt You Were Beside Me, 2024

Liorah Tchiprout

I Planned to Feed It With a Heart, 2024

Liorah Tchiprout

I Wake With You, I Tell No One, 2024

Liorah Tchiprout

I'm So Afraid You'll Be Carried Away by the Tide, 2024

Frank Auerbach

Joe Tilson, 1980

Celia Paul

Linda Sleeping, 1992

Frank Auerbach

Lucian Freud, 1981

Celia Paul

Mother and Frank, 1991

Celia Paul

Post Office Tower, 2004

Frank Auerbach

Reclining Nude, c. 1954

Frank Auerbach

Ruth, 1994

Celia Paul

Self-Portrait with Canvas, 2003

Frank Auerbach

Seven Portraits

Frank Auerbach

Sleep, 2001

Liorah Tchiprout

The Pen Falls From Your Hand, 2024

Victor Pasmore

Untitled 6, 1990

Liorah Tchiprout

You Wouldn't Make Me Wait Without Reason, 2024